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DTSTART;TZID=UTC:20190721T120000
DTEND;TZID=UTC:20190921T180000
DTSTAMP:20260831T074542
CREATED:20190729T094540Z
LAST-MODIFIED:20190729T094540Z
UID:10612-1563710400-1569088800@www.beinkosovo.com
SUMMARY:Autostrada Biennale II - Revolution Is Us
DESCRIPTION:Curated by: Giacinto Di Pietrantonio \n20 July – Preview / Opening\n21 July -21 September 2019 / Open for public\nPrizren / Kosovo \nFrom Giacinto Di Pietrantonio\, the curator of the second edition of Autostrada Biennale: \nIt is only natural that by living in a world where virtuality has become crucial to our existence\, the first thing we do when we have an idea is to find a reference\, which means going on the internet and searching on Google for news or references to confirm our idea. If we search for “La rivoluzione siamo noi” on Google\, we find 27.000.000 results in 0.47 seconds. A colossal number. However\, for anyone working with art\, it is very encouraging to see that the first result which appears is Joseph Beuys’ piece of 1971\, with the title “La Rivoluzione Siamo Noi”.\nThe title has not been translated\, because Beuys named the piece in Italian\, as he thought and did the work in Italy. A large paper print\, a kind of poster\, produced by the Modern Art Agency in Naples. An inkjet print of 185 x 106 cm with 180 copies in which Beuys is shown walking towards us with his felt hat on his head\, a white shirt with a fisherman’s vest\, jeans\, boots and a shoulder bag. \nThis is one of the contemporary works of art that I prefer both for formal reasons and those of its content. It’s the one thing I would take on a deserted island. So\, it is a work which I keep with me for many years\, ever since I learned of it. Then\, a few years ago\, I managed to get a copy of it\, and I installed it at the entrance of my house. In fact\, anyone who comes to visit me is welcomed not only by me\, but also by Joseph Beuys who walks behind me towards the guest\, and at that moment\, Beuys\, I and the guest or guests become “Revolution Is Us”. \nIt is clear that nowadays\, even more so than a few decades ago\, the word revolution sounds suspect\, given the collapse of the great narratives promising revolution ever since the Enlightenment\, be they on the right or left. Those that produced the well-known dramas of the 20th century\, and because of which everyone by the end of the century was in such a rush to bury the word revolution. Unfortunately by doing so\, they also buried the utopias and hopes for the future which the word represents. \nHowever\, what “La Rivoluzione Siamo Noi” makes me think of is not so much the political revolutions\, but the personal ones\, and in the case of art\, the linguistic ones. Art is\, even when it does not seem to appear that way\, always a bearer of novelty\, openness\, change\, and above all freedom. I never thought of art as merely aesthetic\, or pure contemplative pleasure\, but as a human expression full of ethics and aesthetics. But above all as an aesthetic at the service of ethics\, as Walter Benjamin suggests\, and to which in some way this work also owes something to the work ‘Wanderer above the Mist’ of 1818\, by Caspar David Friedrich. \nIt is known that Benjamin talks to us about the “Angelus Novus” painting of 1920\, by Paul Klee\, which portrays the angel of history with its body turned towards the future while its face and gaze are turned towards the past\, and therefore between the old and the new. While Friedrich in the 1818 ‘Wanderer above the Mist’ depicts a solitary figure of the man and romantic traveler artist looking out at a great expanse of fog with his back turned to us. It is the romantic solitude of man in the face of the greatness of nature that Beuys replicates in the photographic work “Difesa della Natura (clavicembalo)” in 99.5 x 67 cm. in 1981\, exactly ten years after “La Rivoluzione Siamo Noi”. \nWe find here many of the urgent questions of contemporary society\, ranging from the relationship with society\, history\, nature\, our being in the world\, not in a descriptive-didactic or passive way\, but active and moving towards the future. Not in a didactic way\, otherwise it would not be art\, but in an active way\, and when I say active I do not refer to an idea of activism\, but to that change of consciousness that every work of art provokes more or less. In fact\, it must be said that the work of Beuys has nothing “revolutionary” from the point of view of a didactic iconography that should have contained a political symbol. In this case\, the German greens\, or the like. \nThe work indicates the journey towards and in and for the world. As “La Rivoluzione Siamo Noi” suggests\, we must move towards the future\, because we are not angels being blown by the storm of paradise\, and neither are we immobile and contemplative wayfarers of a sea of fog\, the metaphor of an uncertain future. But\, like art\, we are beings in movement\, walking towards the future\, that\, even if uncertain\, we must always look for. And it is this future that we are trying to understand with the new edition of Autostrada Biennale and with the invited artists: \nGiulio Alvigini (Italy)\, Apparatus 22 (Romania)\, Levent Bütüçi (Kosova)\, Nemanja Cvianovič (Croatia)\, Lana Čmajčanin (Bosnia and Herzegovina)\, Mirza Dedač (Serbia)\, Jan Fabre (Belgium)\, Jakup Ferri (Kosovo)\, Lek M. Gjeloshi (Albania)\, Emre Hüner (Turkey)\, Hristina Ivanoska (North Macedonia)\, Lorena Kalaja (USA)\, Sanja Latinović (Serbia)\, Iva Lulashi (Albania / Italy)\, Sgomento Comics (Italy)\, Fatmir Mustafa – Karllo (Kosova)\, Orkide Collective (Kosova) Anatoly Osmolowski (Russia)\, Adrian Paci (Albania)\, Tommaso Pincio (Italy)\, Ilija Šoškić (Montenegro)\, Somer Şpat (Kosova)\, Giuseppe Stampone (Italy)\, Lola Sylaj and Dardan Zhegrova (Kosova)\, The Cool Couple – Niccolò Benetton and Simone Santilli (Italy)\, Francesco Vezzoli (Italy) and Driant Zeneli (Albania).
URL:https://www.beinkosovo.com/event/autostrada-biennale-ii-revolution-is-us/
LOCATION:Autostrada Bienale\, St. Marin Barleti - "Europe" Complex\, 2nd floor\, office no:5\, Prizren\, 20000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20190912T190000
DTEND;TZID=Europe/Helsinki:20190912T230000
DTSTAMP:20260831T074542
CREATED:20190908T140602Z
LAST-MODIFIED:20190908T140602Z
UID:10663-1568314800-1568329200@www.beinkosovo.com
SUMMARY:Ladies Night - Hustlers
DESCRIPTION:Të dashura mikesha\, më 12 shtator organizojmë eventin #LadiesNight 💃\, ku do të ketë shumë shpërblime si: \n🎁 2x Microblading në vlerë prej 150€ nga Brows by Fjolla\n💇 2x Shatira dhe 5x tretmane me Olaplex nga Vogue Hair\n⌚️ 2x Ora dore Just Cavalli nga EMO\n🎁 3x Gift Cards në vlerë prej 50€ nga PARFOIS\n🎁 10x Sete të produkteve nga Yves Rocher\n💄 10x Dhurata në vlerë prej 40€ nga Oriflame\n💍 50x Dhurata nga Oliver Weber-Prishtinë \nKonfirmoni ardhjen tuaj duke klikuar butonin Interested/Going 😍
URL:https://www.beinkosovo.com/event/ladies-night-hustlers/
LOCATION:Cineplexx Kosovo\, Veternik\, Pristina\, Kosovo\, 10000
CATEGORIES:Billboard
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20190912T190000
DTEND;TZID=Europe/Helsinki:20190912T230000
DTSTAMP:20260831T074542
CREATED:20190908T145146Z
LAST-MODIFIED:20190908T145147Z
UID:10668-1568314800-1568329200@www.beinkosovo.com
SUMMARY:Shpia e Agës (2019)
DESCRIPTION:(English below) \nKino ARMATA\nE enjte\, 12 shtator 2019\, 19:00h \n“Shpia e Agës” / “Aga’s House” (2019)\nRegjisore: Lendita Zeqiraj\nKohëzgjatja: 107 min.\nGjuha: Shqip\nTitra: Anglisht\nHyrja: FALAS \nVËREJTJE: Regjisorja Lendita Zeqiraj do të jetë prezente pas shfaqjes për diskutim me publikun. \nAga\, një çun 9-vjeçar\, është duke tentuar fshehurazi ta gjejë babanë e tij të zhdukur\, derisa jeton me pesë gra të furishme në një shtëpi jashtë qytetit. Ai fiton të holla duke shitur cigare në rrugë\, ku e takon Ceranë\, një burrë arogant dhe abuziv i cili e ka të ndaluar nga gjykata t’i afrohet shtëpisë për shkak të keqtrajtimit të njërës nga gratë. Por kur njëra prej grave tenton vetëvrasjen\, ai është i vetmi afër Agës për t’i ndihmuar ta dërgojë në spital. \nE lindur në Kosovë\, regjisorja e shpërblyer Lendita Zeqiraj është shpallur “Filmbërësja Kombëtare e Vitit 2014” dhe është shpërblyer me “Çmimin Vjetor për Kinematografi” nga Ministria e Kulturës e Kosovës. Ajo ka punuar në shumë filma të shkurtë dhe dokumentarë\, të cilët kanë marrë pjesë në 300 festivale ndërkombëtare\, si International Short Film Festival Oberhausen\, Thessaloniki\, Cairo\, Leeds\, Vilnius International Film Festival\, Trieste International Film Festival\, Hamptons Film Festival etj.\, duke fitur shpërblime në disa prej tyre. \nFilmi i saj i fundit GARDHI\, ka fituar Best Short Award në Palm Springs Int’l ShortFest\, Hamptons dhe New Orleans Film Festival\, është kualifikuar tri herë për shpërblimin Oscar®\, si dhe vazhdon të udhëtojë nëpër festivale të ndryshme botërore. \nFilmi i saj i kaluar i shkurtë BALLKONI\, ka debutuar në përvjetorin e 70-të të Venice Film Festival dhe është shfaqur në 170 festivale ndërkombëtare\, si Telluride Film Festival\, Palm Springs Short Fest\, Warsaw Film Festival\, Busan International Film Festival etj. duke fituar mbi 35 shpërblime ndërkombëtare\, përfshirë Shpërblimin Special të Jurisë në AFI FEST 2013. \nFILMOGRAFIA\nSHPIA E AGËS – i gjatë / 2019\nGARDHI – i shkurtë / 2018\nBALLKONI – i shkurtë / 2013\nANOTHER CHANCE – dokumentar i shkurtë / 2013\nAMNESIA – eksperimental i shkurtë / 2012\nWE’RE NOT IN PARADISE – dokumentar i shkurtë / 2011\nALBANIAN EGYPTIAN – dokumentar i shkurtë / 2010\nCRY FOR RECOGNITION – dokumentar i shkurtë / 2009\nEXIT – fiksion i shkurtë / 2003 \n————— \nKino ARMATA\nThursday\, 12 September 2019\, 19:00h \n“Shpia e Agës” / “Aga’s House” (2019)\nDirector: Lendita Zeqiraj\nLength: 107 min.\nLanguage: Albanian\nSubtitles: English\nEntrance: FREE \nNOTE: Director Lendita Zeqiraj will be present for the screening and Q&A. \nAga\, a 9-year-old boy is secretly struggling to find his missing father\, while living with five frantic women in the house outside the city. He makes money by selling cigarettes on the street\, where he meets Cera\, an arrogant and abusive man who has a restraining order to get near the house because of molesting behavior towards one of the women. But when one of the women attempts a suicide\, he is the only one around to help Aga take her to the hospital. \nBorn in Kosovo\, award winning film director Lendita Zeqiraj is declared ‘National Filmmaker of the Year 2014’\, and won “The Annual Film Excellence Award for Cinematic Achievements” by the Kosovo Ministry of Culture. She’s worked on a number of shorts and documentary films\, which have participated in over 300 International Film Festivals\, such as International Short Film Festival Oberhausen\, Thessaloniki\, Cairo\, Leeds\, Vilnius International Film Festival\, Trieste International Film Festival\, Hamptons Film Festival etc.\, winning prizes in a number of them. \nHer last short film FENCE\, won Best Short award at Palm Springs Int’l ShortFest\, Hamptons and New Orleans film festival and has been triple Qualified for Oscar® Academy Award\, and continues traveling throughout worldwide film festivals. \nHer previous short film BALCONY\, premiered at 70th Venice Film Festival and screened at over 170 International Film Festivals\, such as Telluride Film Festival\, Palm Springs Short Fest\, Warsaw Film Festival\, Busan International Film Festival etc. and won over 35 international awards\, including the Special Jury Award at the AFI FEST 2013. \nFILMOGRAPHY\nAGA’S HOUSE – feature / 2019\nFENCE – short / 2018\nBALCONY – short / 2013\nANOTHER CHANCE – short documentary / 2013\nAMNESIA – short experimental / 2012\nWE’RE NOT IN PARADISE – short documentary / 2011\nALBANIAN EGYPTIAN – short documentary / 2010\nCRY FOR RECOGNITION – short documentary / 2009\nEXIT – short fiction / 2003
URL:https://www.beinkosovo.com/event/shpia-e-ages-2019/
LOCATION:Kino ARMATA\, Brigada e Kosoves\, Prishtina\, 10000
CATEGORIES:Billboard
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