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BEGIN:VEVENT
DTSTART;TZID=UTC:20190721T120000
DTEND;TZID=UTC:20190921T180000
DTSTAMP:20260524T222423
CREATED:20190729T094540Z
LAST-MODIFIED:20190729T094540Z
UID:10612-1563710400-1569088800@www.beinkosovo.com
SUMMARY:Autostrada Biennale II - Revolution Is Us
DESCRIPTION:Curated by: Giacinto Di Pietrantonio \n20 July – Preview / Opening\n21 July -21 September 2019 / Open for public\nPrizren / Kosovo \nFrom Giacinto Di Pietrantonio\, the curator of the second edition of Autostrada Biennale: \nIt is only natural that by living in a world where virtuality has become crucial to our existence\, the first thing we do when we have an idea is to find a reference\, which means going on the internet and searching on Google for news or references to confirm our idea. If we search for “La rivoluzione siamo noi” on Google\, we find 27.000.000 results in 0.47 seconds. A colossal number. However\, for anyone working with art\, it is very encouraging to see that the first result which appears is Joseph Beuys’ piece of 1971\, with the title “La Rivoluzione Siamo Noi”.\nThe title has not been translated\, because Beuys named the piece in Italian\, as he thought and did the work in Italy. A large paper print\, a kind of poster\, produced by the Modern Art Agency in Naples. An inkjet print of 185 x 106 cm with 180 copies in which Beuys is shown walking towards us with his felt hat on his head\, a white shirt with a fisherman’s vest\, jeans\, boots and a shoulder bag. \nThis is one of the contemporary works of art that I prefer both for formal reasons and those of its content. It’s the one thing I would take on a deserted island. So\, it is a work which I keep with me for many years\, ever since I learned of it. Then\, a few years ago\, I managed to get a copy of it\, and I installed it at the entrance of my house. In fact\, anyone who comes to visit me is welcomed not only by me\, but also by Joseph Beuys who walks behind me towards the guest\, and at that moment\, Beuys\, I and the guest or guests become “Revolution Is Us”. \nIt is clear that nowadays\, even more so than a few decades ago\, the word revolution sounds suspect\, given the collapse of the great narratives promising revolution ever since the Enlightenment\, be they on the right or left. Those that produced the well-known dramas of the 20th century\, and because of which everyone by the end of the century was in such a rush to bury the word revolution. Unfortunately by doing so\, they also buried the utopias and hopes for the future which the word represents. \nHowever\, what “La Rivoluzione Siamo Noi” makes me think of is not so much the political revolutions\, but the personal ones\, and in the case of art\, the linguistic ones. Art is\, even when it does not seem to appear that way\, always a bearer of novelty\, openness\, change\, and above all freedom. I never thought of art as merely aesthetic\, or pure contemplative pleasure\, but as a human expression full of ethics and aesthetics. But above all as an aesthetic at the service of ethics\, as Walter Benjamin suggests\, and to which in some way this work also owes something to the work ‘Wanderer above the Mist’ of 1818\, by Caspar David Friedrich. \nIt is known that Benjamin talks to us about the “Angelus Novus” painting of 1920\, by Paul Klee\, which portrays the angel of history with its body turned towards the future while its face and gaze are turned towards the past\, and therefore between the old and the new. While Friedrich in the 1818 ‘Wanderer above the Mist’ depicts a solitary figure of the man and romantic traveler artist looking out at a great expanse of fog with his back turned to us. It is the romantic solitude of man in the face of the greatness of nature that Beuys replicates in the photographic work “Difesa della Natura (clavicembalo)” in 99.5 x 67 cm. in 1981\, exactly ten years after “La Rivoluzione Siamo Noi”. \nWe find here many of the urgent questions of contemporary society\, ranging from the relationship with society\, history\, nature\, our being in the world\, not in a descriptive-didactic or passive way\, but active and moving towards the future. Not in a didactic way\, otherwise it would not be art\, but in an active way\, and when I say active I do not refer to an idea of activism\, but to that change of consciousness that every work of art provokes more or less. In fact\, it must be said that the work of Beuys has nothing “revolutionary” from the point of view of a didactic iconography that should have contained a political symbol. In this case\, the German greens\, or the like. \nThe work indicates the journey towards and in and for the world. As “La Rivoluzione Siamo Noi” suggests\, we must move towards the future\, because we are not angels being blown by the storm of paradise\, and neither are we immobile and contemplative wayfarers of a sea of fog\, the metaphor of an uncertain future. But\, like art\, we are beings in movement\, walking towards the future\, that\, even if uncertain\, we must always look for. And it is this future that we are trying to understand with the new edition of Autostrada Biennale and with the invited artists: \nGiulio Alvigini (Italy)\, Apparatus 22 (Romania)\, Levent Bütüçi (Kosova)\, Nemanja Cvianovič (Croatia)\, Lana Čmajčanin (Bosnia and Herzegovina)\, Mirza Dedač (Serbia)\, Jan Fabre (Belgium)\, Jakup Ferri (Kosovo)\, Lek M. Gjeloshi (Albania)\, Emre Hüner (Turkey)\, Hristina Ivanoska (North Macedonia)\, Lorena Kalaja (USA)\, Sanja Latinović (Serbia)\, Iva Lulashi (Albania / Italy)\, Sgomento Comics (Italy)\, Fatmir Mustafa – Karllo (Kosova)\, Orkide Collective (Kosova) Anatoly Osmolowski (Russia)\, Adrian Paci (Albania)\, Tommaso Pincio (Italy)\, Ilija Šoškić (Montenegro)\, Somer Şpat (Kosova)\, Giuseppe Stampone (Italy)\, Lola Sylaj and Dardan Zhegrova (Kosova)\, The Cool Couple – Niccolò Benetton and Simone Santilli (Italy)\, Francesco Vezzoli (Italy) and Driant Zeneli (Albania).
URL:https://www.beinkosovo.com/event/autostrada-biennale-ii-revolution-is-us/
LOCATION:Autostrada Bienale\, St. Marin Barleti - "Europe" Complex\, 2nd floor\, office no:5\, Prizren\, 20000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190726T100000
DTEND;TZID=UTC:20190729T000000
DTSTAMP:20260524T222423
CREATED:20190626T084756Z
LAST-MODIFIED:20190626T084756Z
UID:10485-1564135200-1564358400@www.beinkosovo.com
SUMMARY:Meeting Of Styles\, Prishtina (Kosovo)
DESCRIPTION:Once again… Prishtinë get ready to experience another splash of colors\, this time BIGGER\, MORE INTERNATIONAL\, and wayyy more COLORFUL!\n> > > – – – – – > > > >\nPrishtinë you will meet this year another 120 artists\, who have stepped all over the world\, and on the 26th of July you will be their home and their canvas of 1800 meter square of ARTWORK… Right at the train station!\n– – – – – – > > > – – – – >\nPrishtinë\, get your people ready TO BE AMAZEEED!\nPrishtinë\, Graffiti never will look as good on you as it will\, this summer!\nPrishtinë\, get excited! Meeting of Styles Kosovo is coming!!!\n– – – – – – > > > – – – – –\nThird Edition “Global Idol”\n26-28 July | Str. Tirana\, Train Station\, Arbëri (Dragodan)\n#moskosovo #meetingofstyles
URL:https://www.beinkosovo.com/event/meeting-of-styles-prishtina-kosovo/
LOCATION:Stacioni i Trenit\, Rr. Tirana\, Arberi\, Dragodan\, Prishtine\, Kosovo\, Albania
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DTSTART;TZID=UTC:20190726T110000
DTEND;TZID=UTC:20190728T140000
DTSTAMP:20260524T222423
CREATED:20190626T091554Z
LAST-MODIFIED:20190626T091554Z
UID:10494-1564138800-1564322400@www.beinkosovo.com
SUMMARY:Workshop on Writing and Zine Making
DESCRIPTION:In a three-days writing workshop we will be searching for people\, places and things that are disappearing within the city and our surroundings. At the same time\, we will work on writing as a practice of »appearing« in the sense of going public and becoming visible. Through writing exercises and field writing in different places of the city\, we will create texts and fragments on the topic of appearing/disappearing and publish our own zine\, which will be launched at Termokiss. Participation is free\, to enroll please contact: maikesuhr90@gmail.com until 12th of July. \nDate: 26th-28th July 2019\, from 11:00-17:00. More detailed program will be announced.\nPlace: Termokiss and diverse places of the city\nLanguage: The workshop will be held in English\, but you are welcome to write in Albanian or any language you want. \nThis project is part of the BECC fellowship program by the European Network of Cultural Centers (ENCC)\, supported by Creative Europe. \nMaike Suhr lives and works as a freelance editor in Berlin. As a member of the transcultural project space bi’bak her work focusses on global mobility and material culture\, including research\, writing and publishing. She is interested in writing as a tool of artistic\, cultural or self-related research. Through the BECC fellowship program she works with Termokiss in July `19.
URL:https://www.beinkosovo.com/event/workshop-on-writing-and-zine-making/
LOCATION:Termokiss\, Pristina\, Kosovo\, 10000
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ORGANIZER;CN="Termokiss":MAILTO:termokiss@gmail.com
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