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X-WR-CALNAME:Be In Kosovo
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X-WR-CALDESC:Events for Be In Kosovo
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DTSTART:20190101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190715T120000
DTEND;TZID=UTC:20190722T040000
DTSTAMP:20260524T222423
CREATED:20190626T092240Z
LAST-MODIFIED:20190626T092240Z
UID:10497-1563192000-1563768000@www.beinkosovo.com
SUMMARY:Anibar Animation Festival 2019
DESCRIPTION:Anibar Animation Festival 2019\nX Edition Edicioni 10të \n[English below] \nCka të tut më shumë\, a të ka mbet hala shpresë? \nNë një shoqëri e cila vazhdimisht po bëhet indiferente ndaj ndryshimeve politike\, sociale dhe mjedisore\, Anibar në edicionin e dhjetë të festivalit shëndrrohet në hapësirë për ballafaqimin me ndryshimet\, hapësirë për të frymëzuar veprimin dhe për të promovuar aktivizmin qytetar nëpërmjet artit që thërret për mbrojtje të lirive dhe të drejtave. \nArti është fuqia jonë e përmes tij në këtë edicion\, të dhjetin më radhë të Anibar\, do t’i trajtojmë së bashku me ju FRIKËN dhe SHPRESËN. Edhe këtë vit Anibar sjellë filma të animuar\, punëtori\, prezantime\, masterklasa\, takime me animatorë vendor dhe botëror\, debate\, dhe aktivitete tjera përplot argëtim dhe edukim për të gjitha moshat\, në qytetin e Pejës. \nNdejat në Parkun e qytetit këtë vit bëhen edhe më të hareshme ngase KREMTOJMË DHJETË edicione të rrugëtimit tonë të përbashkët në mes të frikës të së tashmes dhe shpresës për të ardhmen. \nNe ju ftojmë të festojmë së bashku për të ardhmen! \nMOS E HUMBISNI! Nga 15 – 21 korrik 2019! \nEjani të flasim për frikën dhe shpresën! \nKoncepti e animacioni nga Alice Saey dhe muzika nga Ruben van Asselt. \n—————— \nWhat do you fear? What are your hopes? \nIn a society which consistently is becoming more indifferent towards political\, social and environmental changes\, Anibar in its tenth edition of the festival is turning into a space of dealing with change\, a space to inspire action and promote civic activism through art which calls for the protection of rights and our freedom. \nArt is our power through which in Anibar’s tenth edition we’ll treat together our HOPES and FEARS. This year Anibar brings to you animated films\, workshops\, presentations\, masterclasses and events to meet filmmakers from all over the world\, concluding with activities that’ll bring joy and educate all ages; all of this in the city of Peja. \nAnibar parties will become even more joyous as we will CELEBRATE the TENTH edition of walking together through fear of the now and hopes for a better future. \nWe invite you to come and celebrate our future! \nDO NOT MISS IT! From 15th to 21st of July 2019! \nJoin us in our path of exploring fears and hopes! \nTrailer\, artwork\, and animation by Alice Saey\, music and sound by Ruben van Asselt.
URL:https://www.beinkosovo.com/event/anibar-animation-festival-2019/
LOCATION:Anibar\, Hasan Prishtina 73\, Peje\, Kosovo\, 30000\, Albania
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ORGANIZER;CN="Anibar":MAILTO:info@anibar.com
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DTSTART;TZID=UTC:20190716T110000
DTEND;TZID=UTC:20190722T040000
DTSTAMP:20260524T222423
CREATED:20190626T085219Z
LAST-MODIFIED:20190626T085219Z
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SUMMARY:PriFest 11th edition
DESCRIPTION:Plan your trip to Prishtina\, Kosovo in July 2019 to meet many filmmakers from Kosovo\, the region and Europe\, see many interesting films\, network\, taste great food and party with PriBeats until the morning light!
URL:https://www.beinkosovo.com/event/prifest-11th-edition/
LOCATION:Prishtina
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190720T140000
DTEND;TZID=UTC:20190721T100000
DTSTAMP:20260524T222423
CREATED:20190626T112402Z
LAST-MODIFIED:20190626T112402Z
UID:10513-1563631200-1563703200@www.beinkosovo.com
SUMMARY:RE:FORM 2019
DESCRIPTION:Our annual outdoor summer event RE:FORM is happening again for the third edition in the beautiful landscape of Badovc on Saturday\, July 20th. \nIn collaboration with our partner Win Music Freedom KS\, we will bring you a meticulously curated event for an all day and night experience at our favorite valley located just 20 minutes away drive from Prishtina. \nStay tuned for more info.
URL:https://www.beinkosovo.com/event/reform-2019/
LOCATION:Servis
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DTSTART;TZID=UTC:20190721T120000
DTEND;TZID=UTC:20190921T180000
DTSTAMP:20260524T222423
CREATED:20190729T094540Z
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UID:10612-1563710400-1569088800@www.beinkosovo.com
SUMMARY:Autostrada Biennale II - Revolution Is Us
DESCRIPTION:Curated by: Giacinto Di Pietrantonio \n20 July – Preview / Opening\n21 July -21 September 2019 / Open for public\nPrizren / Kosovo \nFrom Giacinto Di Pietrantonio\, the curator of the second edition of Autostrada Biennale: \nIt is only natural that by living in a world where virtuality has become crucial to our existence\, the first thing we do when we have an idea is to find a reference\, which means going on the internet and searching on Google for news or references to confirm our idea. If we search for “La rivoluzione siamo noi” on Google\, we find 27.000.000 results in 0.47 seconds. A colossal number. However\, for anyone working with art\, it is very encouraging to see that the first result which appears is Joseph Beuys’ piece of 1971\, with the title “La Rivoluzione Siamo Noi”.\nThe title has not been translated\, because Beuys named the piece in Italian\, as he thought and did the work in Italy. A large paper print\, a kind of poster\, produced by the Modern Art Agency in Naples. An inkjet print of 185 x 106 cm with 180 copies in which Beuys is shown walking towards us with his felt hat on his head\, a white shirt with a fisherman’s vest\, jeans\, boots and a shoulder bag. \nThis is one of the contemporary works of art that I prefer both for formal reasons and those of its content. It’s the one thing I would take on a deserted island. So\, it is a work which I keep with me for many years\, ever since I learned of it. Then\, a few years ago\, I managed to get a copy of it\, and I installed it at the entrance of my house. In fact\, anyone who comes to visit me is welcomed not only by me\, but also by Joseph Beuys who walks behind me towards the guest\, and at that moment\, Beuys\, I and the guest or guests become “Revolution Is Us”. \nIt is clear that nowadays\, even more so than a few decades ago\, the word revolution sounds suspect\, given the collapse of the great narratives promising revolution ever since the Enlightenment\, be they on the right or left. Those that produced the well-known dramas of the 20th century\, and because of which everyone by the end of the century was in such a rush to bury the word revolution. Unfortunately by doing so\, they also buried the utopias and hopes for the future which the word represents. \nHowever\, what “La Rivoluzione Siamo Noi” makes me think of is not so much the political revolutions\, but the personal ones\, and in the case of art\, the linguistic ones. Art is\, even when it does not seem to appear that way\, always a bearer of novelty\, openness\, change\, and above all freedom. I never thought of art as merely aesthetic\, or pure contemplative pleasure\, but as a human expression full of ethics and aesthetics. But above all as an aesthetic at the service of ethics\, as Walter Benjamin suggests\, and to which in some way this work also owes something to the work ‘Wanderer above the Mist’ of 1818\, by Caspar David Friedrich. \nIt is known that Benjamin talks to us about the “Angelus Novus” painting of 1920\, by Paul Klee\, which portrays the angel of history with its body turned towards the future while its face and gaze are turned towards the past\, and therefore between the old and the new. While Friedrich in the 1818 ‘Wanderer above the Mist’ depicts a solitary figure of the man and romantic traveler artist looking out at a great expanse of fog with his back turned to us. It is the romantic solitude of man in the face of the greatness of nature that Beuys replicates in the photographic work “Difesa della Natura (clavicembalo)” in 99.5 x 67 cm. in 1981\, exactly ten years after “La Rivoluzione Siamo Noi”. \nWe find here many of the urgent questions of contemporary society\, ranging from the relationship with society\, history\, nature\, our being in the world\, not in a descriptive-didactic or passive way\, but active and moving towards the future. Not in a didactic way\, otherwise it would not be art\, but in an active way\, and when I say active I do not refer to an idea of activism\, but to that change of consciousness that every work of art provokes more or less. In fact\, it must be said that the work of Beuys has nothing “revolutionary” from the point of view of a didactic iconography that should have contained a political symbol. In this case\, the German greens\, or the like. \nThe work indicates the journey towards and in and for the world. As “La Rivoluzione Siamo Noi” suggests\, we must move towards the future\, because we are not angels being blown by the storm of paradise\, and neither are we immobile and contemplative wayfarers of a sea of fog\, the metaphor of an uncertain future. But\, like art\, we are beings in movement\, walking towards the future\, that\, even if uncertain\, we must always look for. And it is this future that we are trying to understand with the new edition of Autostrada Biennale and with the invited artists: \nGiulio Alvigini (Italy)\, Apparatus 22 (Romania)\, Levent Bütüçi (Kosova)\, Nemanja Cvianovič (Croatia)\, Lana Čmajčanin (Bosnia and Herzegovina)\, Mirza Dedač (Serbia)\, Jan Fabre (Belgium)\, Jakup Ferri (Kosovo)\, Lek M. Gjeloshi (Albania)\, Emre Hüner (Turkey)\, Hristina Ivanoska (North Macedonia)\, Lorena Kalaja (USA)\, Sanja Latinović (Serbia)\, Iva Lulashi (Albania / Italy)\, Sgomento Comics (Italy)\, Fatmir Mustafa – Karllo (Kosova)\, Orkide Collective (Kosova) Anatoly Osmolowski (Russia)\, Adrian Paci (Albania)\, Tommaso Pincio (Italy)\, Ilija Šoškić (Montenegro)\, Somer Şpat (Kosova)\, Giuseppe Stampone (Italy)\, Lola Sylaj and Dardan Zhegrova (Kosova)\, The Cool Couple – Niccolò Benetton and Simone Santilli (Italy)\, Francesco Vezzoli (Italy) and Driant Zeneli (Albania).
URL:https://www.beinkosovo.com/event/autostrada-biennale-ii-revolution-is-us/
LOCATION:Autostrada Bienale\, St. Marin Barleti - "Europe" Complex\, 2nd floor\, office no:5\, Prizren\, 20000
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